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Borderline: An abnormal thriller comedy in which L.A. cop Trevor tries to assemble proof contrary to cunning drug smuggler Burr when mixing with hard gentleman MacMurray in Mexico. Starts out promisingly, although eventually slows down in silliness. Burr makes a lucid scoundrel. Cast includes Fred MacMurray, Claire Trevor, Raymond Burr, Jose Torvay, Morris Ankrum, and Roy Roberts. (88 minutes,'50)
The King and I: Phenomenal film adaptation of the Rodgers and Hammerstein Broadway musical, based on the novel filmed in'46 as Anna and the Baron of Siam (and redid as Anna and the Emperor). Kerr plays the widowed English school teacher who voyages to Siam to instruct the Baron's numerous kids, and finds handling His Highness her best test. Brynner gives the acting job of a generation, and was rewarded with an Oscar reconstructing his Broadway role. Kerr is charming and her harmonizing voice was dubbed by Marni Nixon. Melodies contain "Hello, Young Lovers," "Getting to Know You," and "Shall We Dance." Cast includes Deborah Kerr, Yul Brynner, Rita Moreno, Martin Benson, Terry Saunders, Rex Thompson, and Alan Mowbray. (133 minutes,'56)
La Petit Lili: A family's country house is charged with sentiment while the hotheaded child, a yearning film maker actor, finds that his lady friend is captivated with his mom's boyfriend, a triumphant head of mainstream films. Brilliant film empowered by Chekhov's The Seagull, investigating the line between art and life, and how the 2 influence each other. Cast includes Nicole Garcia, Bernard Giraudeau, Jean-Pierre Marielle, Ludivine Sagnier, Robinson Steveniu, Julie Depardieu, Yves Jacques, and Michel Piccoli. (104 minutes, 2003)
The Little Thief: So-so personality picture of the title lass, a disassociated, amoral adolescent floating through life in postwar France. If she comes off as a girl Antoine Doinel, it's since the original tale was co-written by Francois Truffuut, who was allegedly preparing to film this at the time of his demise. Cast includes Charlotte Gainsbourg, Didier Bezace, Simon de la Brosse, Nathalie Cardone, and Raoul Billerey. (104 minutes,'89)
Repulsion: Polanski's first English-language film is a phenomenal mental shocker portraying the psychological deterioration of a sexually repressed gal left alone in her sibling's condo for few nights. The film hasn't lost one bit of its impact. It can leave you anxious for many nights after watching it. Cast includes Catherine Deneuve, Ian Hendry, John Fraser, Patrick Wymark, Yvonne Fumeaux, and James Villiers. (105 minutes,'65)
Rambo: Much better than part II, this one continues to be firmly footed in the genre of mindless action films, as our brawny idol goes behind Russian battle lines in Afghanistan to save his buddy from a prison fortress. You will see lots of eruptions to keep the action going and some funny stuff thrown in too. Cast includes Sylvester Stallone, Richard Crenna, Marc de Jonge, Kurtwood Smith, Spiros Focas, and Sasson Gabai. (101 minutes,'88)
A Scandal in Paris: A fashionable 8th century tale based on the recollections of the infamous Frenchman Eugene Vidocq, whose life of crime comes to a crossroads while he confronts a youthful lady who cherishes him. The clever script was tailor-made for Sanders. Cast includes George Sanders, Carole Landis, Akim Tarniroff, Signe Hasso, Gene Lockhart, Alan Napier, and Alma Kruger. (106 minutes,'46)
Marie Antoinette: This film is a visually sumptuous account of an adolescent's voyage from Vienna to the Palace at Versailles and the throne of France. Author-director Coppola's Marie (as played by Dunst) is a modern-day gal, with contemporary music set contrary to the pomp and circumstance of the'th century life. Starts to tire eventually and ends with a cry, not a smash although there's much to like here. Cast includes Kirsten Dunst, Jason Schwartzman, Judy Davis, Tear Tom, Steve Coogan, Rose Byrne, Asia Argento, Molly Shannon, Shirley Henderson, Danny Huston, Marianne Faithfull, Mary Nighy, and Sarah Adler. (123 minutes, 2006)
The Agronomist: A commanding, abrasive documentary picture of an intriguing individual, Jean Dominique, a leading Haitian figure and significant player in the nation's battle for human being rights. The film offers observations into the affairs of state and history of Haiti in recent years. The focus of the movie is to give us a lucid image of one guy's tough determination and large seated human rights beliefs, and his enthusiastic love for his country. The finale is shattering. (91 minutes, 2004)
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